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Reserve Your Seat Now for a Free Webinar with Tattoo Industry Legend -
MARCEL OLIVEIRA
Thursday, July 24th at 07:00pm EST
Marcel Oliveira is a master Tattoo Artist with over twenty years of experience, creating tattoos in the styles of black-and-gray realism and portraiture. Originally from Brazil and now based in Miami, Florida, Marcel has impacted the tattoo industry with his impeccable technique and deep artistic sensitivity. He is the owner of RIFF CULT Tattoo Shop and previously worked at the renowned Miami Ink-LoveHate Tattoos.
Marcel's tattooing skills transcend cultural boundaries, earning awards and recognition in Brazil, Argentina, and the United States. He’s known for his precision and dedication to his craft. Now, he embarks on a journey of mentoring aspiring Tattoo Artists and inspiring clients worldwide through his art.
Marcel Oliveira is a master tattoo artist with over 20 years of experience in black-and-gray realism, portraiture, and fine-line work. Originally from Brazil and now in Miami, he owns RIFF CULT Tattoo Shop and was formerly with Miami Ink-LoveHate Tattoos. Marcel’s skills have earned him international acclaim, with awards in Brazil, Argentina, and the US. Today, he’s dedicated to mentoring aspiring artists and sharing his craft worldwide.
MARCEL OLIVEIRA'S LATEST TATTOOS
Marcel's latest work showcases his very detailed work in black and gray realism. His recent projects include intricate portrait tattoos that capture raw emotion, highly detailed mythological scenes, and fine-line compositions demonstrating his passion for this art form.
Notably, he has been creating full-sleeve tattoos blending realistic portraits with surreal and spiritual elements, achieving a seamless flow across the body. His ability to capture subtle emotions and soft textures, such as delicate skin tones or fabric folds, highlights his deep understanding of light, shadow, and anatomy.
You can explore his latest tattoos on his Instagram profile, where he shares finished work and glimpses into his creative process.
